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Bourdon, Sebastien

      French, 1616-1671

Bourdon, Sebastien The Beggars painting


    The Beggars
   new3/Bourdon, Sebastien-635856.jpg
Gemälde IDENTIFIZIERUNG::  29519
  1635-40 Oil on wood, 49 x 65 cm
   
   
   

BRUEGEL, Pieter the Elder

      Flemish Northern Renaissance Painter, ca.1525-1569

BRUEGEL, Pieter the Elder The Beggars painting


    Die Bettler
   new4/BRUEGEL, Pieter the Elder-568382.jpg
Gemälde IDENTIFIZIERUNG::  30511
  mk68 Öl auf Holz 7x8 1/4 Paris die Niederlande von Louvre 1568
   
   
   

Sebastien Bourdon

      (2 February 1616 - 8 May 1671) was a French painter and engraver. His chef d'œuvre is The Crucifixion of St. Peter made for the church of Notre Dame. The Finding of Moses, c. 1650 (National Gallery of Art, Washington)Bourdon was born in Montpellier, France, the son of a Protestant painter on glass. He was apprenticed to a painter in Paris. In spite of his poverty he managed to get to Rome in 1636; there he studied the paintings of Nicolas Poussin, Claude Lorrain and Caravaggio among his eclectic selection of models, until he was forced to flee in 1638, to escape denunciation by the Inquisition for his Protestant faith. Bourdon's facility rendered him adept at portraiture, whether in a dashing Rubens manner or in intimate, sympathetic bust-length or half-length portraits isolated against plain backgrounds that set a formula for middle-class portraiture for the rest of the century, landscapes in the manner of Gaspar Dughet or cappricci of ruins, mythological "history painting" like other members of Poussin's circle or the genre subjects of the Dutch Bamboccianti who were working in Rome. His eclectic range of styles have given art historians exercise in tracing his adaptation of his models, while the lack of an immediately recognizable "Bourdon style" has somewhat dampened public appreciation. In 1652 Christina of Sweden made him her first court painter. Bourdon spent most of his working career outside France, where, though he was a founding member of the Academie de peinture et de sculpture (1648), he was for long largely dismissed as a pasticheur, a situation partly rebalanced by a comprehensive exhibition in 2000 of his work at the Musee Fabre, where the collection includes a fine Lamentation painted in the last years of his life. His success required the establishment of an extensive atelier, where, among his other pupils worked Nicolas-Pierre Loir and Pierre Mosnier. He died in Paris in 1671.

Sebastien Bourdon The Beggars painting


    The Beggars
   new25/Sebastien Bourdon-548535.jpg
Gemälde IDENTIFIZIERUNG::  84504
  Date between 1635(1635) and 1640(1640) Medium Oil on wood Dimensions Height: 49 cm (19.3 in). Width: 65 cm (25.6 in). cjr
   
   
   

Bourdon, Sebastien

      French, 1616-1671

Bourdon, Sebastien The Beggars painting


    The Beggars
   new25/Bourdon, Sebastien-835787.jpg
Gemälde IDENTIFIZIERUNG::  88361
  between 1635(1635) and 1640(1640) Medium Oil on wood cyf
   
   
   

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